A TONGA RIDE DOWN MEMORY LANE

Long before the concept of fusion music captured the public's imagination, the illustrious composer OP Nayyar was already masterfully intertwining Western instrumentation with the rich tapestry of Indian rhythms. His creations, which remain timeless classics, echo through the ages, a testament to his genius. OP's profound admiration for the pulsating beats of Punjab inspired him to weave the dholak and tabla into melodies that might have otherwise adhered strictly to Western influences. Consider the exuberant Jaiye Aap Kahan Jayenge from Mere Sanam in 1965 or the enchanting Aaiye Meherbaan from Howrah Bridge in 1958. The latter, a vibrant nightclub number, showcases a jazz ensemble where the bongo effortlessly melts into the tabla during the antara, exemplifying his innovative approach. OP 's compositions are characterized by a vigorous percussive foundation, often drawing from folk traditions, as seen in his numerous Punjabi-inspired tracks from films like Naya Daur in 1...